Once you stop looking only at the woman and stroller, the scene begins to shift. The trees no longer feel like just trees; they start behaving like brushstrokes in a much larger portrait. A curved branch becomes the outline of a forehead. A dark patch turns into an eye. The empty space between two trunks suddenly forms the bridge of a nose. What once felt like random scenery quietly locks into place as a face that seems impossible to unsee.
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