Across decades, he kept returning to wounded, complicated souls: the washed-up singer in Tender Mercies, the haunted colonel in Apocalypse Now, the raging father in The Great Santini. Each role felt lived-in, never performed. Colleagues revered him as an actor’s actor; audiences trusted him without question. Now tributes pour in from directors, co-stars, and fans who grew up watching him disappear into lives not their own, grateful that his work will keep speaking long after he no longer can.
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